You already have all the information for your memoir–after all it’s your life!

Now, it’s a matter of structuring and including the pieces that will best tell your story in a logical way. Otherwise you may have a jumble of wonderful chapters and scenes that are disconnected. It comes down to what to leave in and what to leave out.

The big question to ask yourself is—what is your memoir about? It’s not enough to know it’s about your life and your memories. How to connect the stories of your lifetime, which may seem unrelated, in a way that keeps the reader wondering what will happen next. Essentially, keep them turning the page.

Everyone has their own writing method. Mine was to write a scene from memory that had to do with the larger story of my memoir—the plane crash and aftermath that changed the course of my life. I didn’t write an outline, but I applaud those who do. It may save you a good deal of time if you know the theme of your memoir, where you want to start and where you intend to end.  Even if you change course later on, this will give you a compass. I might have written Replacement Child in less than the four years it took me if I had more of an idea of where I was headed. That said, I’m not sure it was possible in my case. The writing of the book was such a journey of discovery for me.  When I began, for instance, I had not even heard of the term “replacement child” let alone applied it to myself. So, this is a long way around of telling you that it will be a very personal decision how to tackle the writing of your story.

I will tell you that if you are hoping to sell your book, an outline is almost essential. Agents and publishers want to see sample chapters and then an outline of the whole book. If you bite the bullet early on and do an outline, you’ll be saving yourself a good deal of angst when you get that request from an interested agent or publisher that they want an outline tomorrow! Been there!

I have heard it said that you can simplify your story into the three-act structure ala Aristotle. This may work for some of you, but I believe it’s a difficult fit for memoir. I won’t belabor the detail of that structure here—you can find many references to it on the web or various books about story structure. Or, you can simplify it further by just thinking about your memoir in terms of a beginning, a middle and an end.  If you know roughly what will be included in those three parts of your memoir, you’ll have a giant head start.

To show you just what a struggle it was for me to find my own structure in Replacement Child, I’m attaching the photos I took when I shuffled the index cards describing my chapters and re-arranged them on bulletin boards that lined my hallways. After this attempt, and feeling that I had to have the ENTIRE chapter at my fingertips to find the story structure, I took over my porch with the full hard copy chapters. Our house turned into a giant book outline for a time while I obsessed about structure. I realize I could have done this on my computer with various software programs, but I had to have it in my hands for some reason. I’m the same way with proofreading my work, always revising in hard copy before I return to my computer.

I would love to hear about some of your methods of organization as you go about creating your memoir. There may be as many techniques as there are writers!

And, I hope you’ll tune in for our discussion on Structuring Your Memoir on October 25^th, 2 pm ET, 11, PT.