by Madeline Sharples, Author of Leaving the Hall Light On & NAMW September Roundtable Guest
After my twenty-seven year old son Paul died by suicide as a result of his bipolar disorder in September 1999, writing became my therapy. I instinctively knew traditional therapy wouldn’t work for me unless the therapist had experienced the death of a child. And I had no interest in reading self-help books either. Though others dealing with grief could turn to painting, singing, acting, woodworking, sewing – any kind of creative outlet – I found my way by writing every day. It became a habit, and as it turned out, writing through my grief totally turned my life around.
The page was always ready for my tears, my rants, my sorrow, my complaints, and my thoughts and ideas. The page never told me what to do or how to handle my grief. The page never told me it was time to stop grieving already. The page became my everyday friend – a special place I could go to empty my full heart.
I craved solitude after Paul died, and writing also gave me that. Even today, I go into my office and stay there for hours. Whether or not I write the whole time, I have my place to be alone, not having to answer to anyone.
I created my writing space from the room where Paul last lived. So he is also in there with me. I feel him in there. A lot of my writing has been about him or things related to his life and death. He became my muse.
Even though the room looks nothing like the way it looked when he lived there last, a lot of the things in my room remind me of him: photos, my Buddha statues and picture, a special piece of art made from the hammers of a piano (he was a jazz pianist and composer), a photo of a sunset taken the night before he died, and several of his artifacts – his candlesticks, a lava lamp, and books he gave me. I can also see out to my yard from where I write, and I derive special pleasure from my smiling Buddha and small gurgling cement fountain out there. Paul liked to sit out there and smoke. I can imagine him there smiling back at the Buddha.
Besides being a musician, Paul also wrote short stories and poems – many people with bipolar disorder are creative. I have his writing collection in file drawers in my office closet.
For me just the act of writing is helpful. Early on I wrote with pen in hand in a journal notebook – the classier the paper the better – and I wrote until my hand cramped. Now I type on my computer’s keyboard. I find this works better for me because my typing fingers can keep up with the words in my brain. The faster my brain works the faster and harder my fingers press down. I don’t stop until I’m finished, and sometimes I’ll find I’ve typed one thousand words in less than thirty minutes. The pounding on my keyboard gets out my frustrations and anger or whatever feelings I have going on at that moment. And that’s where my piece stays – I never stop to edit and I rarely edit later – unless I decide to use part of it for a blog post or a poem. While I was working on my memoir, I went back to both my handwritten and typed journal pages many times – in fact some of the entries are in my book almost in tact. Only then did I edit. The rest is still there in my file drawers and in a locked folder on my computer in its original raw form.
Little did I know at the outset that my journal entries and poems would turn into my recently published memoir, Leaving the Hall Light On: A Mother’s Memoir of Living with Her Son’s Bipolar Disorder and Surviving His Suicide (Lucky Press, May 2011). Using my source documents helped me create a raw and honest book meant to share with people in similar situations that it is possible to survive a parent’s worst tragedy. Writing about times of grief has also been a huge help in keeping my son Paul’s memory alive.
About the Author:
Although Madeline Sharples worked most of her professional life as a technical writer and editor, grant writer, and proposal manager, she fell in love with poetry and creative writing in grade school. She pursued her writing interests to high school while studying journalism and writing for the high school newspaper, and she studied journalism in college. However, she only began to fulfill her dream to be a professional writer late in her life.
She co-authored a book about women in nontraditional professions called Blue-Collar Women: Trailblazing Women Take on Men-Only Jobs (New Horizon Press, 1994) and co-edited the poetry anthology, The Great American Poetry Show,Volumes 1 (Muse Media, 2004) and 2 (August 2010). She wrote the poems for two photography books, The Emerging Goddess and Intimacy (Paul Blieden, photographer). She is pleased that many of her poems have appeared online and in print magazines in the last few years.
Madeline’s memoir, Leaving the Hall Light On, about how she and her family survived her older son’s suicide, as a result of his bipolar disorder, will be released by Lucky Press LLC on Mother’s Day 2011. She and her husband of 40 years live in Manhattan Beach, California, a small beach community south of Los Angeles. Her younger son Ben lives in Santa Monica, California with his bride Marissa.
Sharples’ blog is titled “Choices” and she also has a blog at Red Room.
See the flier for Leaving the Hall Light On
Read 2 sample chapters from Leaving the Hall Light On
Buy Leaving the Hall Light On
Available on Amazon.com
Available at Barnes and Noble
READ A RECENT INTERVIEW WITH MADELINE SHARPLES.
Visit Madeline Sharples’ blog, CHOICES.
Have a question for Madeline? Leave it in the comments section of this page and she’ll post her reply!
Have a question for Madeline? Leave it in the comments section of this page and she’ll post her reply!
You can also “meet,” Madeline? as she speaks as a Guest Expert at our upcoming Roundtable Event, Thursday September 8, 2011. Sign up here to attend the f.ree live call or receive an email shortly following the event to listen in to the recording.
Madeline, I am so happy that you have found writing as a way to process and deal with your grief. What a great loss you have experienced.
My question is – are there days when you resist writing for whatever reason? I am writing a memoir focusing on a major loss.I am in a space right now where I really resist writing–yet I know I want to and will complete this work.
Hi, Helen, Thanks for your question. Actually I find that I’m always ready to write something. These days, while my book marketing is a major focus, I concentrate on journaling and writing poems and the articles I do for a couple of websites. I still get itchy if I haven’t written for a day or two. It really keeps me going.
Good luck with your memoir, and don’t beat yourself up for how you feel. After a major loss our main job is to take care of ourselves in whatever way works. You’ll write again in your own time.
Best, Madeline
Hi Madeline, I found this article by searching “how to write about grief” on Google. I am a college student and a creative writing major and I just lost my best friend in a car accident a few weeks ago. Naturally, all I could think about is her, so all I could write about is her. I’m in the process of writing a story for a class about the day of her funeral directly before the funeral itself, but I’m having a hard time making it a story that students in a creative writing class would want to read about. Have you ever tried to write about that day? If so, how did you go about doing it? I’m having a hard time capturing the emotions of everybody who was in the room that morning. I want to show the different levels of grief experienced by her most intimate family and friends versus family and friends who might not have been as close. I’m also struggling with making it cohesive. Do you have any advice for me?
P.S: I give you some serious props for writing about your experience. I’m happy you’ve found your outlet. Nothing will ever replace the loss you’ve experienced, but it sounds like you’ve at least found a way to make peace with it.
Hi Dolly,
I’m sorry about the loss of your friend. Sudden deaths are so hard to deal with and when it’s someone you love it’s much worse.
My main suggestions for writing about the day is to write like you talk (don’t try to be too flowery) and keep it simple. It might be hard to write about everyone in the room – maybe just choose two or three in the depth and the rest with just bits and piece. Dialogue could help you get your points across.
I did write about the day we found our son’s body – it is one of the chapters in my memoir, Leaving the Hall Light On. I also wrote about my conversation with him the last night he was alive.
Another thing I do when I write is to write a piece straight through not going back to edit until a draft is complete. That way your internal critic doesn’t get in the way. In fact step back from it for a good long while before editing if you can.
I think you’ll find that writing about your friend and her loss will help you get through it.
I hope this helps, Madeline